gta
Loutropolis <br>Healing Springs and Baths in Greece

Loutropolis
Healing Springs and Baths in Greece

The Museum Between the<br>Palace and the Square

The Museum Between the
Palace and the Square

OMARA Mara Oláh <br>DIKH OMARA

OMARA Mara Oláh
DIKH OMARA

Der Elefant ist der Raum<br>The Elephant is the Room<br>L’elefante è la stanza

Der Elefant ist der Raum
The Elephant is the Room
L’elefante è la stanza

Heinz Isler Models

Heinz Isler Models

Beverly Buchanan – I Broke the House

Beverly Buchanan – I Broke the House

(No) Return<br>Survived Buildings and Lost Lives

(No) Return
Survived Buildings and Lost Lives

Performing Colonial Toxicity: An Exhibition by Samia Henni

Performing Colonial Toxicity: An Exhibition by Samia Henni

Sidsel Meineche Hansen: HOOK NO 10.

Sidsel Meineche Hansen: HOOK NO 10.

Christelle Oyiri: VENOM VOYAGE

Christelle Oyiri: VENOM VOYAGE

Understructures

Understructures

Doors to Ukraine

Doors to Ukraine

Constructive Abundance: Theo Hotz Partner Architects

Constructive Abundance: Theo Hotz Partner Architects

Silvia Federici

Silvia Federici

OKOMdsu: Teaser - Guerra Olimpica

OKOMdsu: Teaser - Guerra Olimpica

Lessons from the Social Condensers

Lessons from the Social Condensers

Unschöne Museen

Unschöne Museen

Feminist Lessons from a Feminist Uprising in Iran

Feminist Lessons from a Feminist Uprising in Iran

Kino Roland

Kino Roland

SPACE AS MATRIX

SPACE AS MATRIX

Cabin Crew

Cabin Crew

A Pluriversity in the Colombian Rainforest

A Pluriversity in the Colombian Rainforest

Life, Without Buildings

Life, Without Buildings

The Feast

The Feast

Radio Activities

Radio Activities

Close Encounters

Close Encounters

Hannah Black: Wheel of Fortune

Hannah Black: Wheel of Fortune

The View from the Car

The View from the Car

Sturm&Drang

Sturm&Drang

The Good, the Bad and the Ugly

The Good, the Bad and the Ugly

The Power of Mushrooms

The Power of Mushrooms

Confinement

Confinement

Retail Apocalypse

Retail Apocalypse

Louis Kahn. Silence and Light. 1969/2019

Louis Kahn. Silence and Light. 1969/2019

Gili Tal. Mastering the Nikon D750

Gili Tal. Mastering the Nikon D750

Andrea Fraser

Andrea Fraser

PLANETARIUM. Oleg Kudryashov, Peter Märkli.

PLANETARIUM. Oleg Kudryashov, Peter Märkli.

Jack Self: «The Home Body»

Jack Self: «The Home Body»

Kiosk K67. Metamorphoses of a System

Kiosk K67. Metamorphoses of a System

Home. A User's Manual

Home. A User's Manual

12 Views of Venice. 2018

12 Views of Venice. 2018

Trix & Robert Haussmann. The Log-O-Rithmic Slide Rule

Trix & Robert Haussmann. The Log-O-Rithmic Slide Rule

Alberto Ponis. Drawing Landscape

Alberto Ponis. Drawing Landscape

Inside Outside / Petra Blaisse: A Retrospective

Inside Outside / Petra Blaisse: A Retrospective

Trix & Robert Haussmann. The Log-O-Rithmic Slide Rule

Trix & Robert Haussmann. The Log-O-Rithmic Slide Rule

READYMADES BELONG TO EVERYONE

READYMADES BELONG TO EVERYONE

Smiljan Radić. Drawings

Smiljan Radić. Drawings

CLOUD ’68 – PAPER VOICE

CLOUD ’68 – PAPER VOICE

Stalker. Naked Archive Lottery

Stalker. Naked Archive Lottery

Trix & Robert Haussmann. The Log-O-Rithmic Slide Rule

Trix & Robert Haussmann. The Log-O-Rithmic Slide Rule

Theft is Vision

Theft is Vision

Phantom Theorie

Phantom Theorie

Reaper. Richard Hamilton and Sigfried Giedion

Reaper. Richard Hamilton and Sigfried Giedion

Discreet Violence

Discreet Violence

Christopher Williams. Stage Play

Christopher Williams. Stage Play

Christopher Williams

Christopher Williams

MAN transFORMS: Die Dokumente

MAN transFORMS: Die Dokumente

Incidental Space

Incidental Space

On the Thresholds of Space-Making: Kazuo Shinohara

On the Thresholds of Space-Making: Kazuo Shinohara

HOME

HOME

schwarzescafé

schwarzescafé

17 Volcanoes

17 Volcanoes

Drawings by OFFICE

Drawings by OFFICE

John Hejduk

John Hejduk

Arno Brandlhuber & Christopher Roth Legislating Architecture Schweiz

Arno Brandlhuber & Christopher Roth Legislating Architecture Schweiz

Märkli. Professur für Architektur an der ETH Zürich 2002–2015

Märkli. Professur für Architektur an der ETH Zürich 2002–2015

Books for Architects

Books for Architects

Nautilus Konstrukt

Nautilus Konstrukt

Dan Graham

Dan Graham

architecten de vylder vinck taillieu

architecten de vylder vinck taillieu

Aaron Flint Jamison

Aaron Flint Jamison

Theater Objects. A Stage for Architecture and Art

Theater Objects. A Stage for Architecture and Art

Architektur für Kinder: Zürichs Spielplätze

Architektur für Kinder: Zürichs Spielplätze

Atlas. Studio Tom Emerson

Atlas. Studio Tom Emerson

Archizines

Archizines

Performative Archive: Skopje

Performative Archive: Skopje

Lucius Burckhardt

Lucius Burckhardt

William Leavitt. Sidereal Time

William Leavitt. Sidereal Time

The Walk. Naples – Karlsruhe – Zurich

The Walk. Naples – Karlsruhe – Zurich

Back
Christopher Williams

Christopher Williams. Supplements, Models, Prototypes

Wednesday, 1 March 2017 to Monday, 12 June 2017 - Opening: Tuesday, 28 February 2017, 6 pm
Location: ETH Hönggerberg

We’re delighted to announce the new Visiting Artist program at ETH Zurich’s Department of Architecture. A protagonist from the realm of art will produce an exhibition and simultaneously work with the architecture students. This spring, the first Visiting Artist, Christopher Williams, will be a guest throughout the upcoming semester at the school. 

Opening on 28th of February, Christopher Williams’ monographic exhibition Supplements, Models, Prototypes showcases the strong but relatively quiet importance of exhibition architecture and design within a practice that has primarily involved the production and arrangement of photographic works. The exhibition presents a group of five exhibition walls from prior exhibitions.

These walls represent a range of wall types, from the highly articulated functioning model fabricated for modular use within a specific institutional framework (for example a fragment of a mobile wall system designed by Skidmore, Owings & Merrill (SOM) for the Department of Photography at Art Institute of Chicago, which Williams has subsequently exhibited at the Museum of Modern Art, New York and Capitain Petzel, Berlin) to a beautifully realized provisional wall designed by the technician of the Bonner Kunstverein, Bonn (and also exhibited at Whitechapel, London, and Capitain Petzel, Berlin, and which represents the type of vernacular exhibition architecture most often associated with the exhibition of works by straight photographers such as Walker Evans and Aaron Siskind). Spanning this range, Williams’ collection, and this exhibition, articulate the space between idealized and theorized forms of exhibition design and the ad hoc pragmatism found within the vernacular of the craftsman whose practice is devoted to exhibition making.

Following a 2009 typological exhibition of mobile wall systems which were currently in use in the Rheinland in Germany, conceived at the Bonner Kunstverein in collaboration with the artist Mathias Poledna, this is the first exhibition of Williams’ work to focus exclusively on this central theme in his work. Working within the institutional memory of gta exhibitions, this display of walls, most of which come directly from the artists’ collection, will be supplemented by a sculpture by Peter Fischli and David Weiss directly related to the exhibition.

In May, 2017, produced in dialogue with the concurrent exhibition at gta exhibitions, Christopher Williams will present his first theater production at Miller’s Theatre Zurich. Occupying the language of theatrical production, Williams, who has worked extensively with both studio photography and with modes of visual display, seeks to relax the boundaries between the different modes of constructing pro-visual spaces, so that the construction of the photographic image and the construction of a theatrical image are seen as analogous activities which inform each other, each acting upon the other to produce a new term. 
The exhibition will be further explicated through a series of lectures, round-tables and student meetings within the Department of Architecture. The themes of exhibiting architecture, exhibition display and the fundamental question about the elements of architecture are immanent in the research of many chairs at the department.

About the Visiting Artist program

gta exhibitions understands architectural exhibitions as a medium of research and teaching. It functions as a platform of exchange between the various areas of knowledge within the Department of Architecture, as an interface to the global field of higher education in architecture and as a window to the interested public. As a part of the Institute for the History and Theory of Architecture (gta) which was founded in 1967, gta exhibitions is deeply anchored in the academic culture of experimentation, education and international dialogue. Its aim is not so much to represent and mediate knowledge, but to produce knowledge in the realm of architecture exhibitions.

Starting this spring, gta exhibitions and Swiss Re launch the new format of a Visiting Artist. The idea is to invite a protagonist from the realm of art once a year who will produce an exhibition and simultaneously work with the architecture students. This format challenges the traditional exhibition format which confronts the visitors with a finished product and which limits the presence of its author to the opening event. Taking seriously the exhibition as an academic tool and an experimental platform, the new format will allow the author of the exhibition to spend time at the school, meet faculty and students and actually get involved with the life at the school.
The Visiting Artist is selected by the gta Board (which comprises the professors of the Institute gta, plus several other professors of the Department of Architecture) upon a proposal made by the curators of gta exhibitions. Concept by Philip Ursprung, Fredi Fischli and Niels Olsen.

The visiting artist program is supported by Swiss Re